Text: Carmen Pombero Music: Pablo Cervantes Adjustments: Marcelo Dur¡n
Words to the flight relate the history of a girl with poetess soul who when not trusting its automargina potential, when it does not look for the way to fit in the group doing what the others. To make matters worse, his Father is uncertain and sobreprotects Nadia, preventing who the girl is developed and increasing the lack of confidence in itself. With the help of a Muso, he will be finding the inspiration and the anger to show his talent openly and to surpass his fears and insecurities.
The cantata will show the bases of the poetry and to some of the most illustrious poets, but also multiple questions of the present time as the necessity to visibilizar to the women in Literature, intelligences, the necessity of the art or the protection of the environment. With the figure of the Muso we want to work the sorts and to vindicate the figure of the teaching staff as encouraging of the talents of its pupils.
Words to the Flight are a history of autodescubrimiento and accomplishment, fight against the insecurities and a bet by the value and the anger of being one same one.
Nadia, girl of about eleven or twelve years.
Father of Nadia, about 45 years.
Professor of Nadia, about 30 years.
Muso, of indefinite age.
Children and children of the school.
Jury of the prize.
Nadia is a girl whom all companions and companions see as a solitary person, dissuaded, little he attempts to by where Pisa, and to which its Father, an uncertain man, sobreprotects questioning its capacities constantly. But Nadia is more than all and all creates. She is a glad, sensible and observant girl, whom that sees beyond the simple objects, for her they are doors to a world of words and emotions that is able to turn into verses. For some time, a Muso the round in the form of inspiration and only waits for the moment for giving the definitive push him that needs to reveal its talent.
Nadia rebels himself for the first time against his Father when she decides to appear to the tests of the feminine football team, looking for to be accepted by his companions and companions. When the day of the test arrives, nevertheless, it cannot avoid to see poems until in the own ball and finishes being laughing stock of the school. The girl feels sorry herself of her situation and the Muso decides that the moment has arrived for acting. Its help arrives in the form of scholastic excursion to Do±ana, in which it is going to participate all the class and where he thinks that the girl will find the definitive inspiration him that of the confidence that it needs. But once again, his Father makes unfolding of his insecurities and ends up infecting to Nadia his fears, who stops to go to the excursion. The exit to Do±ana is a success and the children and children vindicate the Park as dead ground.
Nadia regrets his lack of I throw and she becomes conscious that there is lost a inspiring opportunity when not going on trip. When expressing its malaise does, as always, in the form of poetry, and its professor who listening, is surprised by its talent. The Muso has achieved its objective: to remove the best thing from Nadia.
Soon after it is notified to the pupils who the school is going to participate in a national poetry contest. Nadia does not think to appear, again does not wish to be reason for ridicule. His Professor animates it to participate, convincing it that he must show all and all to the poetess who takes inside.
The jury deliberates and gives as winner to Nadia, who is proud and happy. His Father is happy, the poetry does not involve no danger¦ Although reviewing the biography of the poets and poetesses of the Romanticism their fears enter to him. Nevertheless, these no longer worry to Nadia: the poetry has given forces him and freedom, is its passion and the key to be the one who is. Nothing or nobody will already be able to stop it.